Among forms of art such as painting, sculpting and storytelling, the truly unique quality of Native American dance makes it the most awe-inspiring and thought-provoking of them all. To the untrained eye, these Native American dances may look like nothing more than interesting movements designed to match the rhythm of a song. On the contrary, dances in this culture each have a deeper purpose and significance that exemplifies how powerful this medium can be in expressing an idea. He then heads toward the ceremonial fire with a shell shaker, or rattle, in hand, leading the rest of the people behind him.
On their arrival in the Western Hemisphere in the late 15th and early 16th centuries, explorers from the Iberian kingdoms of Portugal and Castile Spain encountered peoples—even entire empires—previously unknown to Europeans.
A few of the Europeans wrote about the music and dance… General characteristics Among the essential factors in an overall picture of Native American dance are the diverse types of dance, the organization of the dances in terms of participation, and the relations of human and deity expressed in the dances.
In addition, a variety of other stylistic considerations are relevant, as are the foreign influences that have been absorbed. Extent of dance forms Many themes, typically the celebrations of life transitions, developed in the Americas during millennia of residence, migration, and exchange.
These were most prominent in the marginal cultures of western North America particularly in what is now California, U. Mortuary rites were prominent in the northland and the deserts. War and hunt dances have Native american healing and dance different degrees of prominence, their greatest development being among the hunters in the Great Plains of North America see Plains Indian.
So-called animal dances varied according to the local fauna, a tiger mime belonging to tropical peoples and a bear cult reaching across the northern part of North America and into Siberia.
Religious magic, or shamanismpracticed by societies or individual priests, is somewhat similar to some practices among such Siberian peoples as the Evenk and the Chukchi. Variously practiced and used for healing the sick and communication with the spirit world, shamanism extends to southeastern Brazil but is most potent and most trance-oriented among the Arctic peoples.
From Mexico, and probably earlier from Peru, agricultural rites fanned out into the southeastern woodlands and the Southwest. More recent than the other rites, agricultural dance forms show enrichment from Iberian rituals.
Patterns of participation A distinction between performer and spectator has long existed in American Indian dance, though it is not the artificial separation that characterizes much of Western stage dancing. This latter condition has occurred only with the performance, largely in North America, of dances for tourists and during indigenous participation in folk dance festivals or regional powwow gatherings.
Spirit impersonations, including maskings and noise, were used in widely separated areas to frighten nondancers. Except for a few specialized rites like the eagle and False Face dances, the change of roles among spectators, dancers, and musicians is characteristic of the sacred ceremonies of the Iroquois longhouses of the Northeast Indians of North America.
Outsiders are welcomed, especially into such dances for the Creator as the great feather and drum dances; and all, from the aged to mothers with babies in arms, are expected to join in. Among the Pueblos of the U. Southwest, the dancers remain separate because they require special rehearsals and ritual blessings.
When they emerge from their sanctuaries, or kivasonto the dancing plaza, they dance to invoke rain, health, and other blessings for the people from the supernatural spirits. After the ceremony, they often join in less-formal social dances that unite all participants and observers. Though these dances have religious connotationsas among the Iroquois, they are secularand anyone may enter or drop out at will.
Socially determined roles in dance Visitors may not perceive the patterns of social organization reflected in the dances.
It is clear that men or women alone begin some dances and the other sex may then join in and that men monopolize some dances, women others.Native American Dances and Meanings One of the most beautiful things about Native American culture is the rich forms of art this group has brought to America.
Among forms of art such as painting, sculpting and storytelling, the truly unique quality of Native American dance makes it the most awe-inspiring and thought-provoking of them all. The Native American Church (NAC), also known as Peyotism and Peyote Religion, is a Native American religion that teaches a combination of traditional Native American beliefs and Christianity, with sacramental use of the entheogen peyote.
The religion originated in the U.S. State of Oklahoma in the late nineteenth century after peyote . Jun 01, · Native American (NA) traditional healing is identified by the National Institutes of Health/National Center for Complementary and Alternative Medicine (NCCAM) as a whole medical system that encompasses a range of holistic treatments used by indigenous healers for a multitude of acute and chronic.
Native American Spirituality Beliefs of Native Americans, from the Arctic to the southwest. Sponsored link. The Inuit. The traditional Inuit (Eskimo) culture is similar to those found in other circumpolar regions: Northern Russia and the Northern Scandinavian countries.
Life has been precarious; there are the double challenges of the cold, and . Native American Ghost Dance. The ghost dance is a ceremony for the regeneration of the earth, and, subsequently, the restoration of . Sun Dance. The sundance is the predominant tribal ceremony of Great Plains Indians, although it is practiced by numerous tribes today as .